A live training assassination by a vicious blond thug in the shape of Richard Shaw as Grant. Eeeeeexcellent intro.
To have a henchman introduced by winning at chess, is also a stroke of genius. Particularly as he is so brilliant at it that he can win whenever it suits him. And it does give credence to what is one of the finest plots of the franchise. To top off the list of henchmen with the little, but lethal Rosa Klebb, just shows how strong an instalment this is.
The characters in general have much more meat on the bone, and makes the movie as such all the stronger in most scenes, giving it many legs to stand on. Even Bonds helper, Kerim Bey, is a fine part, with his own life, wisdom, pride and agenda played to perfection by Pedro Armendariz. Armendariz, sadly, died before the film's release.
The film furthermore has the debut of Desmond Llewellyn as Q (with very fun gadgets) and something as rare as a re-occurring love interest from the previous instalment in Sylvia Trench. Connery is growing into the part, finding a better balance in a movie that is, on the whole, more serious and dark than Dr. No.
As usual there is stunning, exotic scenery. The scenes from the gypsy camp are, of course, legend. And at least what they're cracked up to be. There never was a better and more intense catfight than here and the gunfight and melee that ensues is top notch for its time.
FRWL takes place in the sixties, and naturally there are plenty of dark alleys, secret meetings taking place in dark corners of busy buildings and many shadows lurking. All done expertedly and mostly with huge suspense.
The action is also state of the art, the fight-sequence between Shaw and Connery a particular highlight, that would set the bar for later fights. A claustrophobic fight in a dark, small room between two grown men with knives and garrottes. That they rip off North by Northwest towards the end must be forgiven, as the last fight with Klebb is fantastic. The little maid with the poisonous shoe-tip being fought off by Bond and a chair. You can't make this shit up.
9/10
Best car used: 1935 Bentley Drophead coupe. Bond never drives any car though.
Memorable drink served: None
Henchmen: Grant, Klebb, Kronsteen. Perhaps the best of the series
Villain: Blofeld, though never visible apart from the petting of the cat.
Best one-liner: She should have kept her mouth shut
Song: Matt Monroe - Fantastic bit of crooning, perfect for Barry's sound
Bond-girl: Daniela Bianchi - A bit demure but utterly lovely and actually a rare feature as she is an integral part of the plot.
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